Critique of Friedlander's representations of nude women in the 1991 exhibition at the Museum of Modern Art, New York, in relation to his images of his wife and in the context of issues of gender; argues that they need to be seen in the context of the larger political questions that inform their production and exhibition.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license