Ponders the relationship of religion and art, noting that the crucial but often unasked question concerns what formal criteria allow a reconstruction of artistic intention. Considers that art and religion are often opposed, and examines the reasons for this opposition, while simultaneously offering alternatives to the supposed opposition. Looks at images of impious subjects - witches and black masses - to elucidate. Considers works by Masaccio, Andrea del Castagno, Dali, Dürer, Baldung, and Samuel Palmer.
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