The man who saw too much

Author

Taylor, Sue

Document type

Compte rendu d'exposition

Language

English

Source

Art in America. 2001, Num. 6, Vol. 89, 36-41, 18 ill. (9 col.)

ISSN

0004-3214

Abstract (en)

Reviews the exhibition Hitchcock and art: fatal coincidences (Montreal Museum of Fine Arts, 16 Nov 2000-18 Mar 2001; and Paris, Centre Pompidou, 7 June-13 Sept 2001). Discusses how the exhibition examines the relationship between the style and iconography of the films of Alfred Hitchcock and modern art from the late 19th and early 20th cs. Focuses on the comparison of film (also using storyboards) and painting, the influences of Surrealist artists such as Salvador Dali, and the imagery of women.

Subject (en)

• General history of art -- 1800-1945 -- Pictorial arts -- Other media and forms -- United Kingdom
• Films
• Great Britain
• 1800-2000
• Hitchcock, Alfred Joseph, 1899-1980
• Exhibitions
• Musée des beaux-arts de Montréal||Montréal (QC, CAN)
• Centre national d'art et de culture Georges Pompidou||Paris (FRA)
• Art
• Comparison
• Style
• Influence
• Storyboards
• Surrealism
• Dalí, Salvador, 1904-1989
• Spain
• Women
• Painting

Subject (fr)

• Histoire générale de l'art -- 1800-1945 -- Peinture et arts graphiques -- Autres formes d'art -- Royaume-Uni
• Cinéma
• Grande-Bretagne
• 1800-2000
• Hitchcock, Alfred Joseph, 1899-1980
• Exposition
• Musée des beaux-arts de Montréal||Montréal (QC, CAN)
• Centre national d'art et de culture Georges Pompidou||Paris (FRA)
• Art
• Comparaison
• Style
• Influence
• Scénario-maquette
• Surréalisme
• Dalí, Salvador, 1904-1989
• Espagne
• Femmes
• Peinture

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier20030401-00099628

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