Dalí backwards

Author

Shanes, Eric

Document type

Compte rendu d'exposition

Language

English

Source

Apollo. 2005, Num. 515, 78-79, 2 col. ill.

ISSN

0003-6536

Abstract (en)

Reviews the exhibition Dalí (Palazzo Grassi, Venice, 12 Sept 2004-16 Jan 2005; Philadelphia Museum of Art, 16 Feb-15 May 2005), focusing on the Spanish artist's paintings and sculpture. Investigates the major themes of his works, including the canonisation of his wife Gala, his advancement of surrealism, and his emphasis on the subconscious. Compliments the museum's display techniques and lighting, but argues that its complicated chronology is misleading.

Subject (en)

• General history of art -- 1800-1945 -- Spain
• Exhibitions
• Palazzo Grassi||Venezia (ITA)
• Philadelphia Museum of Art||Philadelphia (PA, USA)
• Painting
• Sculpture
• Dalí, Salvador, 1904-1989
• Spain
• Dalí, Gala, 1894-1982
• Russian Federation
• Surrealism
• Unconscious
• Display techniques
• Lighting
• Chronology
• 1900-2000

Subject (fr)

• Histoire générale de l'art -- 1800-1945 -- Espagne
• Exposition
• Palazzo Grassi||Venezia (ITA)
• Philadelphia Museum of Art||Philadelphia (PA, USA)
• Peinture
• Sculpture
• Dalí, Salvador, 1904-1989
• Espagne
• Dalí, Gala, 1894-1982
• Russie, Fédération de
• Surréalisme
• Inconscient
• Présentation
• Eclairage
• Chronologie
• 1900-2000

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier20050101-00043112

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