Die Bühne bin ich : Theaterarbeit und Selbstdarstellung bei Salvador Dalí

Author

Schoenmakers, Henri

Document type

Article (acte de congrès)

Language

German

Conference title

Salvador Dalí : Facetten eines Jahrhundertkünstlers

Author (monograph)

Puyplat, Lisa (Editor, Collective Author); La Salvia, Adrian (Editor, Contributor, Collective Author); Heinzelmann, Herbert (Editor, Contributor, Collective Author)

Source

Salvador Dalí : Facetten eines Jahrhundertkünstlers. 2005, 66-80

Publisher

Königshausen & Neumann, Würzburg (deu)

Publication country

Germany

Abstract (en)

Discusses Salvador Dalí's work for the theater. Examines the stage designs and costumes that he created primarily during the 1940s, and concludes that these designs demonstrate that he failed to address the specifics of designing for theatrical productions. Asserts that, despite this failure, Dalí expanded the notion of theater in his ongoing project of self-staging and in the event character of the Dream of Venus pavilion he created for the 1939 World's Fair in New York.

Subject (en)

• General history of art -- 1800-1945 -- France
• Dalí, Salvador, 1904-1989
• Theater (genre)
• Self-knowledge
• Identity
• Publicity
• Scenography
• Theater costume
• Universal exhibitions
• Dream of Venus
• 1900-2000
• France
• United States

Subject (fr)

• Histoire générale de l'art -- 1800-1945 -- France
• Dalí, Salvador, 1904-1989
• Théâtre (genre)
• Connaissance de soi
• Identité
• Publicité [publicity]
• Scénographie
• Costume de théâtre
• Exposition universelle
• Dream of Venus
• 1900-2000
• France
• Etats-Unis

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier20070101-00391758

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