The author discusses what isn't 'new' about our use of new technologies such as the internet, drawing links between turn-of-the-century vaudeville and turn-of-the-millenium digital culture while charting, historically and metaphysically, the differences between these performative and social technologies. The point is threefold: to situate the internet within the cultural history of media technologies and 20th c. performance; to remember vaudeville and bring it back to life; and to explore current online theater (such as MOO performances) as a species of virtual vaudeville.
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