Modern scholarship identifies Andrea Mantegna as an artist of exceptional precocity. This reputation depends on the credibility of a single document: a sixteenth-century transcription of an epigraph on the S. Sofia altarpiece (now lost) alleging that the artist was seventeen years old in 1448. The analysis presented here disproves the inscription's authenticity, thus reopening the question of Mantegna's birth date. In the light of these findings, the second half of the article reviews documentation on Mantegna's pre-1448 career--a virtually unstudied period in this important artist's activity.
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