Discusses Portrait of a Blind Woman by Annibale Carracci (oil on paper laid on canvas; private collection), and a chalk drawing Portrait of a Blind Man in the Uffizi, Florence, catalogued as by Agostino Carracci. Attributes the latter to Annibale and dates it ca.1590. Notes the presence of an open eye at the lower right of each work, and argues that by depicting the missing organ the artist intended to recall the faculty of sight and to obviate the possibility that these faces with closed eyes might be misconstrued as portraits taken after death.
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