Discusses Francesco Colonna's woodcut, 1499, in the Hypnerotomachia Poliphili showing the tomb monument of a bridal couple, based on Tullio's Double Portrait, a sculpture in the Galleria Giorgio Franchetti alla Ca' d'Oro, Venice. Suggests that Colonna's choice of the name Sertullius for the bridegroom raises the possibility that the subject of the relief sculpture is Tullio.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license