Discusses Sansovino's associations with goldsmiths, his relation to Valerio Belli and Andrea Riccio, three reliefs produced by his school for the paschal candelabrum of S. Spirito in Isola (Venice), a series of reliefs of Christ in Glory, and the so-called "Sansovino frame", an ornamental surround that often frames plaquettes ascribed to Venice or the Veneto.
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