Studies the iconography of a group of 16 anonymous Flemish panel paintings in the Metropolitan Museum, New York, comprising The Fifteen Mysteries and the Virgin of the Rosary. Compares an engraving of the same subject by Francisco Doménech, 1488, as a possible source for the panels (originally a single painting); discusses the view in one of the panels of the park of the Coudenberg in Brussels; finally, supports Held's attribution of the panels to Goswijn van der Weyden, 1515-1520.
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