Analyzes the iconography of Adam Naming the Animals in the light of contemporary exegetical literature. The first section of the article distinguishes between Early Christian commentaries on the Earthly Paradise according to their levels of interpretation--literal, allegorical, or both. The second section makes use of these distinctions to present interpretations of several well-known portrayals of Adam in Paradise. Finally, proposes some means by which artists could suggest different levels of allegorical interpretation when they created visual texts.
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