On the style of composing landscape in Byzantine illuminations. Discusses the taste during the Macedonian Renaissance for placing the farthest planes of the subject at the sides or lower part of the composition. Author describes the essence of this main plane concept as seeing the picture from the inside out.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license