Discusses the relationship between recent French literary theory and contemporary American art, and suggests a cautionary attitude in the presence of such criticism which makes claims about aesthetic objects. In exploring this relation between art and text, examines Roland Barthes's essay on the Eiffel Tower.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license