Imago pietatis and Good Friday liturgy

Author

Verdon, Timothy

Document type

Article (acte de congrès)

Language

English

Conference title

World art : themes of unity in diversity

Author (monograph)

Lavin, Irving (Editor, Collective Author)

Source

World art : themes of unity in diversity. 1989, p. 629-634, 5 ill.

Publisher

Pennsylvania State University Press, University Park, PA (usa)

Publication country

United States

Abstract (en)

Posits the influence of a specific Eucharistic rite, in use in North Italy in the Renaissance, upon a significant development of the Man of Sorrows type in the late 15th c.: its physical and emotional activation in direct emotional appeal to the viewer. Cites as the clearest example of the new type, Andrea Mantegna's ca.1490 panel in the Statens Museum for Kunst, Copenhagen.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Italy
• Painting
• Italy
• 1400-1500
• Representation
• Jesus Christ: Man of Sorrows
• Christian iconography
• Good Friday
• Liturgy
• Eucharist
• Emotions
• Mantegna, Andrea, 1431-1506
• Man of Sorrows
• Statens Museum for Kunst||København (DNK)

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Peinture
• Italie
• 1400-1500
• Représentation
• Christ: Homme de douleurs
• Iconographie chrétienne
• Vendredi Saint
• Liturgie
• Eucharistie
• Passions
• Mantegna, Andrea, 1431-1506
• Homme de douleurs
• Statens Museum for Kunst||København (DNK)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19910101-00448643

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