Analyzes the ways that people of all classes and cultures have responded to images, including (but not restricted to) works of art. These include: the consecration of images and their use in devotion and pilgrimage; the role of images in infamy, justice and witchcraft; sexual arousal by image; censorship and iconoclasm. Discusses the role of illusionism in the psychology of response. Proposes a methodology of art history that eliminates the distinction between "high" and "low" response and between so-called primitive and Western attitudes.
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