Explores the reasons for Nadelman's ambiguous place in the history of modern sculpture. Notes his dependence on the classical idiom of ancient Greek sculpture and the problems resulting from his use of another culture's aesthetic.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license