Cites new strategies in painting, 1987-1988, especially primitivism and amateurism, which make possible the escape from the post-modern trap. Presents examples by Germaine Brooks, Tony Bevan, Joe Andoe, Cary Smith, and Holt Quentel.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license