Le portrait d'Andronic I Comnène et les Oracula leonis sapientis

Author

Karlin-Hayter, P.

Document type

Article (journal)

Language

French

Source

Byzantinische Forschungen/Byzance, Italie : mélanges réunis en l'honneur de M. Freddy Thiriet. 1987, Vol. 12, p. 103-116

ISSN

0167-5346

Abstract (en)

On the portrait of emperor Andronicos I Comnenus on a panel set up by him on the exterior wall of the church of the Forty Martyrs at Constantinople (lost, but known from a contemporary description). Argues that the panel represented an allegorical representation of Death, which came to be interpreted as a portrait of the emperor for political reasons.

Subject (en)

• General history of art -- 300-1400 -- Pictorial arts -- Painting and drawing -- Turkey
• Painting
• Portrait of Andronicus I Comnenus
• 1100-1200
• Death
• Byzantine
• Turkey
• Portraits
• Andronicus I Comnenus, Byzantine emperor, 1118-1185
• Forty Martyrs (church)||Istanbul (TUR)
• Iconography
• Politics
• Istanbul (TUR)
• Byzantine Empire

Subject (fr)

• Histoire générale de l'art -- 300-1400 -- Peinture et arts graphiques -- Peinture et dessin -- Turquie
• Peinture
• Portrait d'Andronic I Comnène
• 1100-1200
• Mort
• Byzantin (art)
• Turquie
• Portrait
• Andronic I Comnène, empereur byzantin, 1118-1185
• Quarante Martyrs (église)||Istanbul (TUR)
• Iconographie
• Politique
• Istanbul (TUR)
• Empire byzantin

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19910401-00452596

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