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Apse decoration, the liturgy and the perception of art in medieval Rome : S. Maria in Trastevere and S. Maria Maggiore

Author
Tronzo, William
Document type
Article (acte de congrès)
Language
English
Conference title
Italian church decoration of the Middle Ages and early Renaissance : functions, forms and regional traditions : ten contributions to a colloquium held at the Villa Spelman, Florence
Author (monograph)
Tronzo, William (Editor, Collective Author)
Source
Italian church decoration of the Middle Ages and early Renaissance : functions, forms and regional traditions : ten contributions to a colloquium held at the Villa Spelman, Florence. 1989, p. 167-193, 14 ill.
Publisher
Dist. by Johns Hopkins University Press, [Baltimore, MD] (usa)
Publication country
United States
Abstract (en)
Reexamines relationships of iconography and chronology between the apse decorations of S. Maria in Trastevere--the mosaic of Innocent II and the Marian cycle by Cavallini--and the mosaic by Torriti in the apse of S. Maria Maggiore. Also reexamines the relationship of these mosaics to the procession of the Assumption and to icons borne in the procession in the 12th and 13th cs. Notes Franciscan support for belief in the bodily Assumption, and argues that Torriti's mosaics in S. Maria Maggiore reflect Franciscan concern for establishing a human, temporal setting for religious subjects. Concludes that Cavallini's historicizing cycle in S. Maria in Trastevere is later, and that it was added to bring the archaic image of the Virgin up to date.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19910401-00452682

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license