Analyzes H.P. Horne's 1908 monograph for its aesthetic theory of art and in the context of the revisionist debate over the significance of Pre-Raphaelitism at the turn of the century. Concludes Horne "asserted PRB aesthetic values quietly" and that "he synthesized poetic and scientific methods in his rejection of beauty in ipso to articulate a vision of artists as learned and of critics as inspired."
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