Takes a fresh look at the evidence in the dispute over Blake's 1808 painting Sir Jeffery Chaucer and the Nine and Twenty Pilgrims on Their Journey to Canterbury and 1810 engraving Chaucers Canterbury Pilgrims, and concludes that Cromek has been much maligned. Also argues that Blake's relationship with Cromek--his belief that Cromek and Thomas Stothard had stolen his idea for a painting from Chaucer--is perhaps the most telling example of Blake's loosening grip on reality during those years.
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