Il Sacrificio di Isacco : un inedito e considerazioni su una fase savoldesca del Caravaggio

Author

Gregori, Mina

Document type

Article (journal)

Language

Italian

Source

Artibus et historiae. 1989, Num. 20, Vol. 10, p. 99-142, 60 ill. (16 col.)

ISSN

0391-9064

Abstract (en)

Argues that the Sacrifice of Isaac in the collection of Barbara Piasecka Johnson is the lost original of Caravaggio's second version of the subject; dates it to the late 1590s. Also presents new evidence of a pentimento, from x-rays of the David and Goliath in the Prado, Madrid; accepts as autograph the S. John the Baptist in the museum of the cathedral of Toledo; and examines Savoldo's influence on Caravaggio.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Italy
• Caravaggio, Michelangelo Merisi da, 1573-1610
• Painting
• Italy
• Sacrifice of Isaac
• David with the Head of Goliath
• Museo Nacional del Prado||Madrid (ESP)
• S. John the Baptist
• Museo-Tesoro Catedralicio||Toledo (ESP)
• Pentimenti
• Radiography
• Collections
• Savoldo, Giovanni Girolamo, ca.1480-ca.1548
• Influence

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Peinture
• Italie
• Sacrifice d'Isaac
• David avec la tête de Goliath
• Museo Nacional del Prado||Madrid (ESP)
• Saint Jean-Baptiste
• Museo-Tesoro Catedralicio||Toledo (ESP)
• Repentirs
• Radiographie
• Collections
• Savoldo, Giovanni Girolamo, v.1480-v.1548
• Influence

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19910701-00454387

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