Mallarmé's 1876 essay The Impressionists and Edouard Manet provides the occasion for a wide-ranging study of the relationship between aural and visual elements in the poet's art and that of his friends Manet and Redon. Author seeks to demonstrate that Mallarmé's essay does not merely describe a new tendency in the visual arts but broaches a new signifying practice. She is concerned with visual and aural signification as these coincide in both verbal and pictorial texts.
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