[Book review]

Author

Maclennan, George

Document type

Compte rendu de livre

Language

English

Source

Word & image. 1988, Num. 3-4, Vol. 4, p. 742-744

ISSN

0266-6286

Abstract (en)

Mallarmé's 1876 essay The Impressionists and Edouard Manet provides the occasion for a wide-ranging study of the relationship between aural and visual elements in the poet's art and that of his friends Manet and Redon. Author seeks to demonstrate that Mallarmé's essay does not merely describe a new tendency in the visual arts but broaches a new signifying practice. She is concerned with visual and aural signification as these coincide in both verbal and pictorial texts.

Subject (en)

• General history of art -- 1800-1945 -- Pictorial arts -- France
• Mallarmé, Stéphane, 1842-1898
• Art theory
• Manet, Edouard, 1832-1883
• Redon, Odilon, 1840-1916
• France
• 1800-1900
• Painting
• Prints
• Semiotics
• Hearing
• Sight

Subject (fr)

• Histoire générale de l'art -- 1800-1945 -- Peinture et arts graphiques -- France
• Mallarmé, Stéphane, 1842-1898
• Théorie de l'art
• Manet, Edouard, 1832-1883
• Redon, Odilon, 1840-1916
• France
• 1800-1900
• Peinture
• Estampe
• Sémiotique
• Ouïe
• Vue

Review of

19910701-00454791

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19910701-00454792

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