Examines Robert Colescott's imagery, including his "blackface" parodies of celebrated Western paintings, and his efforts to expose the psychocultural apartheid that persists in the American collective consciousness. A recent traveling retrospective of Colescott's paintings, 1975-1986, organized by the San Jose Museum of Art, and an exhibition of recent canvases at Phyllis Kind Gallery, New York (spring 1989) inspired these comments.
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