IL 60 : essays honoring Irving Lavin on his sixtieth birthday. 1990, p. 73-96, 10 ill.
Publisher
Italica, New York (usa)
Publication country
United States
Abstract
(en)
Argues that Donatello's design of the high altar of the Santo derived from the tradition of saints' arcae or tomb-shrines, a tradition that was well-known to Donatello and his patrons and particularly appropriate to the devotional function and history of the Santo.
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