Discusses Rembrandt's self-portraits from the Leiden period, 1627-1631, mainly etchings, arguing that they seem to penetrate the dark recesses of Rembrandt's mind and that they conceptualize his role as artist. Places these self-images in the context of early modern psychology.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license