Discusses five terra cotta sculptures, 1426-1440, arguing that they came from the same, not yet identified, workshop in the Middle Rhine region. As an example demonstrates that a clasp depicted in the Tondoerffer Epitaph, 1430-1435, also appears in other works, including the S. Mary Altarpiece, 1438-1440 (Kronberg im Taunus, S. John) indicating the use of the same mold.
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