Describes some aspects of the Girlkultur phenomenon, particularly in the media of revue, advertisement and film, and puts these into the context of the socio-economic situation of female workers and the state of feminist consciousness in 1920s Germany. Considers why the Neue Sachlichkeit of an Americanized culture industry had such a strong appeal to the new middle classes, and outlines some major differences between Girlkultur and the ideals of femininity presented to working-class girls in the Socialist media of the period.
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