Dekomposition und Rekonstruktion einer Ausstellungslandschaft

Other title

The decomposition and recomposition of an exhibition landscape

Author

Guiheux, Alain

Document type

Article (journal)

Language

English; German

Source

Daidalos. 1989, Num. 31, p. 102-107, 7 ill. (5 col.)

ISSN

0721-4235

Abstract (en)

On Jean Nouvel's installation The Fifties (Paris, Centre Georges Pompidou, 1988), an exhibition without any recognizable order of such objects as television sets, tables, toasters, refrigerators, lamps, photos, clothing, paintings, cars, military vehicles, architectural plans, models, etc. Author argues that the exhibition was intended to question the concept of design and aesthetics, and that it leads to a critique of the value formation of objects.

Subject (en)

• General history of art -- 1945-present -- New media -- France
• Nouvel, Jean, b.1945
• Installation works
• The Fifties
• Musée national d'art moderne||Paris (FRA)
• France
• 1900-2000
• Material culture
• Value (aesthetics)
• Design
• Aesthetics

Subject (fr)

• Histoire générale de l'art -- 1945-présent -- Nouvelles formes artistiques -- France
• Nouvel, Jean, n.1945
• Installation (oeuvre d'art)
• The Fifties
• Musée national d'art moderne||Paris (FRA)
• France
• 1900-2000
• Culture matérielle
• Valeur esthétique
• Design
• Esthétique

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19910701-00455705

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license