Examines a shift in the attitude toward death between the early (1917-24) and later (1920s-1940s) phases of Soviet Revolutionary culture as a key to understanding the history of the Russian avant-garde and its transformation into Socialist Realism. Focuses on the thanatological perspective of Stalinist culture--exemplified in the mummification and exhibition of Lenin's corpse--reflected in the iconography of death and the sense of the abyss in Stalinist art.
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