Discusses the iconography of Rembrandt's painting, Diana, Actaeon and Callisto, 1634/35 (Isselburg-Anholt, Museum Schloss Anholt) in relation to Alberti's De pictura and paintings by Cornelis van Poelenburgh and Domenichino. Includes an excursus on Rembrandt's Ganymede, which relates to Margarita Russell's article, "The Iconography of Rembrandt's Rape of Ganymed," in Simiolus, 1977, 9, p. 5-18.
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