Originali, repliche, copie e derivazioni

Author

Collobi Ragghianti, Licia

Document type

Article (journal)

Language

Italian

Source

Critica d'arte. 1989, Num. 20, Vol. 54, p. 93-96, 17 ill. (2 col.)

ISSN

0011-1511

Abstract (en)

Argues (in light of an identification made by Alessandro Parronchi) that the prototype for a group of replicas of the Madonna and Child by the workshop of Joos van Cleve was not the Madonna and Child attributed to Mabuse in the Museo Diocesano of Bressanone but a painting by Joos van Cleve after Leonardo's lost Madonna of the Cherries, known from a copy by Giampietrino formerly in a private collection in Budapest. Also presents a second group of replicas of the Madonna and Child based on a lost prototype by Quentin Metsys.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Belgium
• Cleve, Joos van, ca.1485-ca.1540
• School
• Painting
• Belgium
• 1500-1600
• Massys, Quentin, 1465/66-1530
• Copies
• Replicas
• Madonna and Child
• Madonna of the Cherries
• Leonardo da Vinci, 1452-1519
• Giampietrino, act.1520-1540
• Italy
• Gossaert, Jan, ca.1472-ca.1533
• Influence
• Museo diocesano||Bressanone (ITA)
• Parronchi, Alessandro, b.1914

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Belgique
• Cleve, Joos van, v.1485-v.1540
• Ecole
• Peinture
• Belgique
• 1500-1600
• Massys, Quentin, 1465/66-1530
• Copie
• Réplique
• Vierge à l'enfant
• Vierge aux cerises
• Leonardo da Vinci, 1452-1519
• Giampietrino, act.1520-1540
• Italie
• Gossaert, Jan, v.1472-v.1533
• Influence
• Museo diocesano||Bressanone (ITA)
• Parronchi, Alessandro, n.1914

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19911001-00458121

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