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Titian's tender infants : on the imitation of Venetian painting in Baroque Rome

Author
Colantuono, Anthony
Document type
Article (journal)
Language
English
Source
I Tatti studies. 1989, Vol. 3, p. 207-234, 5 ill.
ISSN
0393-5949
Abstract (en)
Studies the meaning of Titian's Feast of Venus (Madrid, Prado) for neo-Venetian painting in Rome in the 1620s and 30s; argues that Poussin, Duquesnoy, and Testa were attracted not only to the naturalism of the Venetian manner but particularly to the sentimental quality of tenerezza that Titian expressed through his putti, and relates this to the new emphasis on lyricism of expression in contemporary Italian poetry, exemplified by G.B. Marino.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19911001-00458132

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