Titian's tender infants : on the imitation of Venetian painting in Baroque Rome

Author

Colantuono, Anthony

Document type

Article (journal)

Language

English

Source

I Tatti studies. 1989, Vol. 3, p. 207-234, 5 ill.

ISSN

0393-5949

Abstract (en)

Studies the meaning of Titian's Feast of Venus (Madrid, Prado) for neo-Venetian painting in Rome in the 1620s and 30s; argues that Poussin, Duquesnoy, and Testa were attracted not only to the naturalism of the Venetian manner but particularly to the sentimental quality of tenerezza that Titian expressed through his putti, and relates this to the new emphasis on lyricism of expression in contemporary Italian poetry, exemplified by G.B. Marino.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Italy
• Tiziano Vecellio, b.1488-1490, d.1576
• Painting
• Italy
• 1500-1600
• Feast of Venus
• Museo Nacional del Prado||Madrid (ESP)
• Influence
• Roma (ITA)
• Poussin, Nicolas, 1594-1665
• Duquesnoy, François (il Fiammingo), 1597-1643
• Testa, Pietro (il Lucchesino), 1612-1650
• Putti
• Iconography
• Venezia (ITA)
• Poetry
• Marino, Giambattista, 1569-1625

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Tiziano Vecellio, n.1488-1490, m.1576
• Peinture
• Italie
• 1500-1600
• Fête de Vénus
• Museo Nacional del Prado||Madrid (ESP)
• Influence
• Roma (ITA)
• Poussin, Nicolas, 1594-1665
• Duquesnoy, François (il Fiammingo), 1597-1643
• Testa, Pietro (il Lucchesino), 1612-1650
• Putti
• Iconographie
• Venezia (ITA)
• Poésie
• Marino, Giambattista, 1569-1625

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19911001-00458132

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