On the catalogue of the 1988 exhibition of Bolognese art, which illustrated the engagement of Bolognese artists with mythological, allegorical, and antiquarian subject matter, and included particularly small-scale works: drawings, engravings, nielli, medals, and plaquettes. The reviewer focuses on new perspectives on the Bolognese origins of Marcantonio Raimondi, noting Oberhuber's views on his biography and on his drawings. He also comments on clarifications concerning Ripanda.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license