Discusses Strand's views of New York City streets, 1914-1917, as seminal works of modernist photography. Notes their relation to avant-garde painting concepts, including impressionism and cubism.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license