Discusses two paintings by Wifredo Lam, The Chair, painted in Paris in 1938, and The Jungle, painted in Havana in 1943, contrasting Lam's treatment of the chair theme in these two very different works. Cites Lam's contact with Picasso and his return to his native Cuba as key influences on his changed painting style, reflected in The Jungle and other paintings of the 1940s.
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