On De Pee's 1601 Self-portrait as S. Luke (Munich, Bayerische Staatsgemäldesammlungen) where the artist shows himself in the guise of S. Luke painting the Madonna and Child. Considers the historical and theological significance of De Pee's depiction of a modernized replica of the so-called Roman Madonna, a 9th c. painting traditionally attributed to S. Luke himself (Rome, S. Maria Maggiore).
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