Finds evidence in the plays of Ben Jonson and Shakespeare 1608-1610 of the new taste in England for unpainted sculpture, and the contempt in which polychromed figures were sometimes held.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license