L'Apparizione della Vergine a San Bernardo dell'Accademia fiorentina e Badia a Settimo : spunti agiografici e planctus Mariae

Author

Dal Prà, Laura

Document type

Article (journal)

Language

Italian

Source

Rivista cistercense. 1990, Num. 1, Vol. 7, 61-90, 10 ill. (2 col.)

ISSN

0394-3275

Abstract (en)

Analyzes Cistercian elements in the iconography of a 14th c. polyptych (Florence, Galleria dell'Accademia, inv. 8463), attributed to the Master of the Rinuccini Chapel (Matteo di Pacino?), and suggests that it was originally associated with (if not commissioned directly by) the Cistercians at Badia a Settimo. Identifies the literary source for the painted texts in the central panel of the Apparition of the Virgin to S. Bernard of Clairvaux as the 13th c. Liber de passione domini et doloribus et planctibus matris eius, in the "planctus Mariae" tradition. Suggests that the association with Badia a Settimo may aid in the attribution problem.

Subject (en)

• General history of art -- 300-1400 -- Pictorial arts -- Painting and drawing -- Italy
• Italy
• Galleria dell'Accademia||Firenze (ITA)
• Badia di S. Salvatore a Settimo||Badia a Settimo (ITA)
• Painting
• Altarpieces
• Matteo di Pacino, act.1359-1374
• Master of the Rinuccini Chapel, act.1356-1379
• Identification
• Cistercians
• Patronage
• Christian iconography
• Iconography
• Mary, Virgin: Lamentation
• Bernard of Clairvaux, S., 1090-1153
• Saints

Subject (fr)

• Histoire générale de l'art -- 300-1400 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Italie
• Galleria dell'Accademia||Firenze (ITA)
• Badia di S. Salvatore a Settimo||Badia a Settimo (ITA)
• Peinture
• Retable
• Matteo di Pacino, act.1359-1374
• Maître de la Chapelle Rinuccini, act.1356-1379
• Identification
• Mécénat
• Iconographie chrétienne
• Iconographie
• Vierge: Lamentation
• Bernard de Clairvaux, saint, 1090-1153
• Saints

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19911001-00460450

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