Die Berliner Verkündigung und der David von Pollaiuolo

Author

Brink, Sonja

Document type

Article (journal)

Language

German

Source

Jahrbuch der Berliner Museen. 1990, Vol. 32, 153-171, 21 ill.

ISSN

0075-2207

Abstract (en)

Surveys the scholarship with regard to the roles of Antonio and Piero Pollaiuolo in painting the Annunciation, 1470. Discusses patronage and suggests that Benedetto d'Antonio di Filippo Salutati commissioned the painting. Points to the background view of Florence as one of the earliest renderings of the city. Also discussed is the technical examination of both the Annunciation and David, the latter by Antonio alone. Both paintings are in the Gemäldegalerie, Berlin.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Italy
• Italy
• 1400-1500
• Pollaiolo, Antonio del, 1431/32-1498
• Pollaiolo, Piero del, 1443-1496
• Painting
• Mary, Virgin: Annunciation
• Firenze (ITA)
• Views
• David
• Gemäldegalerie||Berlin (DEU)
• Commissions
• Salutati, Benedetto d'Antonio di Filippo, b.1443
• Scientific analysis
• Annunciation
• David, king of the Hebrews
• Iconography

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Italie
• 1400-1500
• Pollaiolo, Antonio del, 1431/32-1498
• Pollaiolo, Piero del, 1443-1496
• Peinture
• Vierge: Annonciation
• Firenze (ITA)
• Vues
• David
• Gemäldegalerie||Berlin (DEU)
• Commande d'oeuvre d'art
• Salutati, Benedetto d'Antonio di Filippo, n.1443
• Analyse scientifique
• Annonciation
• David, roi
• Iconographie

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19911001-00460931

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