Hockney : against the stream of modern art?

Author

Hillier, Bevis

Document type

Compte rendu d'exposition

Language

English

Source

Modern painters. 1988, Num. 3, Vol. 1, p. 37-43, 6 ill. (5 col.)

ISSN

0953-6698

Abstract (en)

Argues that Hockney is one of the few British artists of the post-war generation to qualify as a genius, and suggests that his strength may derive from his reaffirmation of the power of drawing and his rejection of abstraction. (Written in relation to the retrospective held 18 June-14 Aug 1988 at the Metropolitan Museum, New York; and 26 Oct 1988-3 Jan 1989 at the Tate Gallery, London.)

Subject (en)

• General history of art -- 1945-present -- Pictorial arts -- Painting and drawing -- United Kingdom
• Hockney, David, b.1937
• Painting
• Great Britain
• 1900-2000
• Drawing
• Exhibitions
• Metropolitan Museum of Art||New York (NY, USA)
• Tate Britain||London (GBR)

Subject (fr)

• Histoire générale de l'art -- 1945-présent -- Peinture et arts graphiques -- Peinture et dessin -- Royaume-Uni
• Hockney, David, n.1937
• Peinture
• Grande-Bretagne
• 1900-2000
• Dessin
• Exposition
• Metropolitan Museum of Art||New York (NY, USA)
• Tate Britain||London (GBR)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19920101-00415181

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