Analyzes the iconography of the miniature of the Death of the Centaur at the beginning of the Office for the Dead in Charles d'Angoulême's Book of Hours (Paris, Bibliothèque nationale, MS lat. 1173, fol.41v); proposes that the centaur and the wild woman together represent vice and that the scene symbolizes a struggle with the forces of darkness, and relates this to Charles's political vendetta against his rivals.
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