L'Alabardiere del Pontormo

Author

Berti, Luciano

Document type

Article (journal)

Language

Italian

Source

Critica d'arte. 1990, Num. 1, Vol. 55, p. 39-49, 17 ill. (12 col.)

ISSN

0011-1511

Abstract (en)

Presents various reasons why the Stillman Halbadier (Malibu, J. Paul Getty Museum) cannot be the portrait of Cosimo I after Montemurlo (1537) described by Vasari, and argues instead that it is the portrait of Francesco Guardi, also mentioned by Vasari, executed 1529-30. Also suggests, on the basis of its relationship to the profile drawing of Cosimo by Pontormo in the Uffizi, Florence, that a portrait sometimes assigned to a follower of Vasari (Firenze, Gallerie fiorentine, no. 5052) could be a portrait of Cosimo by Portormo painted before late 1537. Finally, presents documentary evidence concerning Francesco Guardi.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Italy
• Pontormo (Jacopo Carrucci), 1494-1557
• Painting
• Italy
• Portraits
• Medici, Cosimo I de', granduca di Toscana, 1519-1574
• Vasari, Giorgio, 1511-1574
• J. Paul Getty Museum at the Getty Villa||Malibu (CA, USA)
• School
• Drawing
• Galleria degli Uffizi||Firenze (ITA)
• Gallerie fiorentine||Firenze (ITA)
• Portrait of Francesco Guardi
• Writings

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Peinture
• Italie
• Portrait
• Medici, Cosimo I de', granduca di Toscana, 1519-1574
• Vasari, Giorgio, 1511-1574
• J. Paul Getty Museum at the Getty Villa||Malibu (CA, USA)
• Ecole
• Dessin
• Galleria degli Uffizi||Firenze (ITA)
• Gallerie fiorentine||Firenze (ITA)
• Portrait de Francesco Guardi
• Ecrits

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19920101-00415816

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