Il formato del dipinto come elemento compositivo : il tondo

Author

Carvalho de Magalhães, Roberto

Document type

Article (journal)

Language

Italian

Source

Critica d'arte. 1990, Num. 1, Vol. 55, 77-80, 11 ill. (4 col.); 7 diagrams

ISSN

0011-1511

Abstract (en)

Studies the composition and perspective of Italian Renaissance tondos, on the basis of four examples (by Botticelli, Masaccio, Cosmè Tura, and Michelangelo), and concludes that Moritz Hauptmann's contentions are not applicable in all cases.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Italy
• Painting
• Italy
• 1400-1600
• Tondi
• Perspective
• Composition
• Hauptmann, Moritz, 20th c.

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Peinture
• Italie
• 1400-1600
• Tondo
• Perspective
• Composition
• Hauptmann, Moritz, 20~e s.

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19920101-00415820

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