Focuses on the political significance of portraits of Ercole I d'Este in paintings, drawings, medals, and monuments. Suggests that Ercole sought to create two dominant impressions: first, that of a Duke who ruled with the scale and importance reminiscent of Roman emperors, and second, that of the perfect Christian prince, a semi-divine ruler. His artists developed innovative forms of portraiture not just in the context of Ferrara but for the Italian Renaissance as a whole.
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