Observes that the woodcut of ca.1531 amused and titillated its audience by stressing sexual acts and bodily functions, by recording contemporary customs, objects and popular expressions, by quoting from learned texts and prints, and by adding a moralizing note to the amusements represented. Argues that Beham's print was well suited to decorate the walls of centers of socializing and entertainment in Nuremberg.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license