On the catalogue of the exhibition held at the Kimbell Art Museum in Fort Worth in 1988, representing Oberhuber's revision of the chronology and attributions of works of Poussin, 1624-1630. The reviewer disputes attributions and dating of a number of drawings, but finds that Oberhuber's reattributions far outnumber the works questioned here, and that the exhibition fundamentally alters our vision of this period of Poussin's career.
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