The cultured quote and some thoughts on mannerist art

Author

Merriman, Mira Pajes

Document type

Article (journal)

Language

English

Source

Source : notes in the history of art. 1989, Num. 4-1, Vol. 8-9, 58-65, 6 ill.

ISSN

0737-4453

Abstract (en)

Taking up Leo Steinberg's hypothesis concerning the function of allusions to familiar devotional images (e.g. by Michelangelo) in Pontormo's fresco of the Deposition (Florence, S. Felicita), argues that this reflects a more general, novel intellectual practice on the part of Pontormo and Parmigianino in the latter 1520s. Indicates further quotations from works of Michelangelo in the Deposition and in Parmigianino's Madonna dal Collo Lungo (Florence, Galleria degli Uffizi), and proposes that an allusion to Perino del Vaga accounts for the composition of Pontormo's Martyrdom of the Ten Thousand (Florence, Galleria Palatina).

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Italy
• Pontormo (Jacopo Carrucci), 1494-1557
• Parmigianino (Francesco Mazzola), 1503-1540
• Painting
• Italy
• Mannerism
• Deposition
• Galleria palatina||Firenze (ITA)
• Madonna with the Long Neck
• Martyrdom of the Ten Thousand
• Michelangelo Buonarroti, 1475-1564
• Perino del Vaga (Pietro Buonaccorsi), 1500/01-1547
• Quotations (visual)
• Galleria degli Uffizi||Firenze (ITA)

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Parmigianino (Francesco Mazzola), 1503-1540
• Peinture
• Italie
• Maniérisme
• Déposition
• Galleria palatina||Firenze (ITA)
• Madone au long cou
• Martyre des dix mille
• Michelangelo Buonarroti, 1475-1564
• Perino del Vaga (Pietro Buonaccorsi), 1500/01-1547
• Citation visuelle
• Galleria degli Uffizi||Firenze (ITA)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19920101-00416728

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