His first inscription of words in a painting, "naked woman" written on a tree trunk, seems to stem from a preoccupation of Magritte and of the male surrealists: How to represent woman? This obsession gives a key to understanding the "inscriptions" series: because they fail to adequately represent women, Magritte treats both images and words as mere representations, subject to an equally radical splitting from the "real" thing they are supposed to represent.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license